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For Van Gogh, With Gratitude

by J.H. Friedrick

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about

Toward the end of July a friend recommended that I read the Letters of Vincent Van Gogh. He said that as a pastor and an artist I would really like them and that it had been his favorite book.

Prior to that all I knew about Van Gogh was that he was crazy. That he cut off his ear and gave it to a prostitute. That he painted Starry Night. Even though I'd seen the PBS dramatization of Vincent's life I essentially knew nothing about him.

On the day of the Solar Eclipse the book arrived in the mail.

What I've learned from reading it is that while Vincent surely suffered from severe depression, at the least, he was also a caring and passionate man. He valued beauty, the land, children, animals and the marginalized. He was driven and committed to his craft. A craft, by the way, that he didn't truly realize until he was 28 and then only after several failed attempts at living a "normal" life.

Since then I have been somewhat obsessed with Van Gogh. I see in my own life many similarities and points of comparison that make his life inspiring to me.
Like Vincent I believe that my spiritual experience must have a radical result in my life or else they don't seem worth practicing.

Like Vincent romance is a bit of a puzzle

Like Vincent I desire to become something, to mean something, to be true to myself and to feel deeply and tenderly.

Like Vincent at the start of his career as an artist, I am 27 years old.

The more I learn about this genius the more it bothers me that people write him off as crazy. That people ignore the more than eight hundred paintings he made in his lifetime in favor of only recognizing The Sower and Starry Night is baffling to me. When Vincent Van Gogh is given the label of "tortured artist" it makes his struggle cheap. It promotes an unsympathetic and two-dimensional understanding of a complex and, I believe admirable, human being.

In reflecting on Vincent's short life and monumental work I can only come up with gratitude. I want him to know what his work meant to the world and means to me. He only sold one painting during his life but the work was worthwhile. I wanted to recognize that and honor his life and struggles.

I hope this song conveys that.

lyrics

Lyrics:
I'm thinking about Vincent Van Gogh
Who everyone knows killed himself at 36

And who are those call him crazy the most?
Idiot folks who must've never been down before

Rebuffed on every hand, fierce and hard to understand
With a paintbrush in his hand and a post man for his friend

He couldn't serve the church, dove too deep into the work
Loved the poor for all their dirt with a sympathetic eye

And he couldn't find a wife, he was lonely all his life
Cut his ear off with a knife, gave it to a lovely whore

With no knack for being cool, no regard for social rules
But his heart and faith were true, he felt tenderly and deep

The Red Vineyards Near Arles is the only piece that sold
Over eight years using oils, with eight hundred canvases filled

I don't care what you think, to me Vincent was a kind of saint
With his letters and his paints holding the devil down

It's like Basho said, "Ill on a journey my dreams go on..."
Over Wheat Field with Crows

credits

released November 26, 2017
Written by J.H. Friedrick who also played acoustic guitar and hit the cymbal. Elijah Neves played electric guitar in every form it took. Sam Heinzman recorded and mixed the track on top of shaking the shaker and adding the synth bass.

The image is Van Gogh's Les Alpilles, Mountain Landscape Near South-Reme, 1889

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about

J.H. Friedrick Silverton, Oregon

John Friedrick writes journal songs as Friendmaker. Balms EP coming soon.

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